Image 1 of 1
Image 1 of 1
Image 1 of 1
Image 1 of 1
18×24 inches
watercolor, acrylic pencil, arches watercolor paper, birch block, cold wax seal
Recurring natural forms function not as literal subjects but as anchors within a field of transformation. They suggest cycles of collapse, renewal, and memory, while resisting fixed narrative. The tension between controlled line and uncontrolled flow is central: structure is continually interrupted by gravity, saturation, and chance.
Color operates as both atmosphere and force. Heat-driven palettes with reds, oranges, and ochres collide with cooler tones, creating a push between intensity and quiet. The surface records these interactions, holding evidence of revision, layering, and loss.
18×24 inches
watercolor, acrylic pencil, arches watercolor paper, birch block, cold wax seal
Recurring natural forms function not as literal subjects but as anchors within a field of transformation. They suggest cycles of collapse, renewal, and memory, while resisting fixed narrative. The tension between controlled line and uncontrolled flow is central: structure is continually interrupted by gravity, saturation, and chance.
Color operates as both atmosphere and force. Heat-driven palettes with reds, oranges, and ochres collide with cooler tones, creating a push between intensity and quiet. The surface records these interactions, holding evidence of revision, layering, and loss.