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12×16 inches
oil, alkyd, cold wax, Arches oil paper, birch block
A still life that hovers between representation and painterly rupture, this composition reconfigures the traditional bouquet as a site of material intensity. Dense, impastoed reds press forward against a volatile ground of ochres and pale neutrals, where pigment drips and incised vertical lines interrupt the surface, destabilizing depth and form.
The floral arrangement is both constructed and undone—petal-like gestures coalesce momentarily before dissolving into layered abrasion and flow. Color operates as a structuring force, with saturated crimsons and acidic yellows generating a tension between lushness and decay.
12×16 inches
oil, alkyd, cold wax, Arches oil paper, birch block
An abstracted still life study of the the inner workings of pine phloem. Its structure is asserted and destabilized in equal measure, this composition is anchored by a cruciform armature that both organizes and fractures the pictorial field. Dense, impastoed passages collide with veils of translucent pigment, while vertical drips and abrasions register time, gravity, and the physical insistence of the medium.
12×16 inches
oil, alkyd, cold wax, Arches oil paper, birch block
Resisting fixed form allows the image to oscillate between presence and dissolution. Dense black passages anchor the composition, while fractured whites and dry-brushed interruptions introduce moments of rupture and light. The verticality of the mark-making creates a sense of downward pull, as if the image is being drawn through or submerged within its own material.
Rather than depicting a subject, Water Spirit operates as an atmospheric event—an encounter with movement, depth, and the instability of perception. The work foregrounds the physical behavior of paint as both structure and force, where emergence is always provisional and contingent.